Obvious message about racism is obvious. Between the heavy-handed slow-motion, and an overbearing score that's as subtle as a sledgehammer set on fire, this is a film that is so in service to its message that it nearly forgets about filmcraft. It's not that that message isn't worth hearing, or is any less relevant today than it was when the film was made, it's just that being beat over the head with one extreme after another has a way of disengaging the people who need to hear it. Still, taken for the heavy-handed monster that it is there is still some merit here. Seeing an ex neo-Nazi try to keep his little brother from following in his footsteps is a good opening salvo in the discussion, but ultimately the movie itself only ever feels like just that: an opening salvo in the discussion.
6 out of 10.
Might take some heat for this one...
Wednesday, October 20, 2010
American History X (1998)
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