by Kris Katz
Brief spoiler-free entertainment reviews

Friday, November 30, 2007

The Triplets of Belleville (2003)

Also known as Les Triplettes de Belleville.
As enchantingly clever as it is impenetrably obscure, this is the kind of rare movie that can create both wonder and confusion in a single effortless breath. Strictly as a movie, it's difficult to describe even at its most basic elements. In a way, it's kind of a Pink Panther cartoon on some toe-tapping steroids, but there's a kind of mime-inspired craft at work here that's truly unlike anything else. The visual styles in play are a combination of 1940s pop art and comic book sketches that really jump off the screen and bring everything to life. The animation is just wonderful from start to finish. There's almost no dialogue—I counted about a dozen sentences total, almost all in French and not a one relevant to the story—yet still a full tale is told with some wonderful wit, peculiar twists, and very enjoyable characters including a humorously overweight dog with more expression and character than some entire movies. What sound is used is largely ambient, though peppered throughout the film are a few outstanding music numbers done in a jitterbug jazz style. Even with as much praise as I've heaped on the film, however, I cannot recommend the movie to everybody. The absolutely strange way in which the yarn is woven will very likely prove very slow and dull or confusing to some, and there's a subversive and viciously dark subtext throughout the entire production. Still, if you find pleasure in a bit of light bewilderment, solid if sparse tunes, and great art, you won't find many better ways to tweak your noggin than this.

8 out of 10.

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