by Kris Katz
Brief spoiler-free entertainment reviews

Thursday, April 24, 2008

Akira (1988)

The thing is, no matter what I say here this is still an anime classic. That much is absolutely indisputable. So when I say that it's starting to show its age, you can also interpret my meaning to say it's “maturing.” Back when it was first minted, this was to anime what 2001: A Space Odyssey was to sci-fi. They've even got similar plots, ultimately. Here we deal with a pair of punks from a biker gang who get wrapped up in a corrupt government's experiments to study superhumans, all within a future-Tokyo full-to-bursting with civil unrest. When it came out, the plot concept was quite new and fresh. That it's considered 'overused' these days ought to tell you something of this film's influence. The problem with the story though, is that it's taken from a long-running series of manga (Japanese graphic novels) and whittled down into two hours, so you wind up saturated with difficult concepts that don't have time to register, yet have severe consequences within the film. It's nearly incomprehensible unless you're in it for the long haul and watch the film several times. However, the rest of the film is rock solid stuff. The movie is an absolute miracle of cell animation—it is distinctive, colorful, detailed, gloriously fluid, and dazzlingly thorough in creating a gritty, violent future and the now-iconic characters that inhabit it. The action and pacing therein is also the stuff of legend. The opening fight between rival biker gangs remains one of the most recognizable moments in animation, and the grotesque, almost Lovecraft-ian finale is rife with unforgettable images. Akira's place in the pantheon of genre classics is deserved and, by now, solidified. But if you're a pair of fresh eyes coming to the party you'll have to understand that though there's still plenty to love here, the story's answers simply aren't available to first-timers.

9 out of 10.

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