For better or worse, Watchmen changed the “comic book” forever. Alan Moore's magnum opus of so-called super heroes is less of a cheerful yarn telling tall tales of daring and justice and incredible power, but of the aftermath and smoldering ruin of costumed avengers past their prime and relevance, hidden among a society that has had them outlawed. Set in an alternate version of 1985, the story begins as a retired hero is mysteriously murdered, and the demons of a man who lived above the law are unearthed, causing ripples in a community of former crime fighters and villains. What sets it apart is how it is less about costumes and pageantry, but about a series of fundamentally broken individuals who were once driven to battle the dregs of society for one reason or another. It asks what real, completely fallible and often reprehensible human beings would do with near limitless power in a company of peers. The story itself takes a backseat to deep, exhaustive character study, giving each protagonist their due and sense of place; the brutal sociopath Rorschach is given the same level of attention as the godlike, apathetic Dr. Manhattan. It's this level of character depth and darkness, this willingness to show heroic archetypes as unlikable, miserable, depressed, depraved, yet utterly fascinating humans that led Watchmen to its place in history. One can argue with the wisdom of dragging once kid-friendly works into maturity, however at the same time the sheer level of audacity and craft at work in this seminal tome is absolutely undeniable.
10 out of 10.
Saturday, March 7, 2009
Watchmen (Graphic Novel - 1987)
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